| Let us read from just a couple more excerpts from some amazing minds of the past. Porphyry, in The Cave of the Nymphs, writes: “It is necessary, therefore, that souls, whether they are corporeal or incorporeal, while they attract to themselves body, and especially such as are about to be bound to blood and moist bodies, should verge to humidity, and be corporalised, in consequence of being drenched in moisture. Hence the souls of the dead are evocated by the effusion of bile and blood; and souls that are lovers of body, by attracting a moist spirit, condense this humid vehicle like a cloud. For moisture condensed in the air constitutes a cloud. But the pneumatic vehicle being condensed in these souls, becomes visible through an excess of moisture. And among the number of these we must reckon those apparitions of images, which, from a spirit coloured by the influence of imagination, present themselves to mankind.” (12) It sounds like Porphyry is describing a being of soul which resembles a UFO. Strange Happenings while Writing Ancient Psychedelia Very strange happenings occurred while I was doing research on this book. Prior to my discovery of the UFO magazine with the article on mushrooms, I was listening to a Coast to Coast program and there was a guest on the air named Barry Littleton, who had an extremely interesting statement as an abductee on board a type of UFO. I transcribed the brief discussion. Jimmy Church, my favorite radio talk show host, had the guest on: Jimmy Church: You said in some of the craft, in some of the rooms, the textures were almost fungus, like mushrooms. Explain what you thought you were touching and seeing. Barry Littleton: You know, when I touched the inside of this craft, it felt like, … well, where I come from we call a lot of the local mushrooms that grow in the neighborhoods toadstools and it actually felt like that. It even looks similar to that texture of these walls and when you touch them they kind of felt like that, not quite slimy as a fungus here feels, a little more hard than that, but nonetheless it felt like that and that’s when I knew beyond a shadow of a doubt that this is organic, that the interior of the ship and the ship itself is organic. To a certain degree. Jimmy Church: Well, what do you mean by that? The ship was growing? The ship was biological as opposed to made out of metal? Barry Littleton: Yeah, well, you know if you look at how mushrooms are constructed, you get kinda a good idea that if you take off what I think is called the Basum, the stalk, the stalk itself is almost that light projection going up the middle of the craft. A lot of tunnels also in mushrooms it made me kinda look that up, why the ships themselves are shaped like that and for what reason this would be the interior. Now I can tell you what they told me. As far as the |
outside of the craft, that they are constructed of, one thing is that they have, the minerals are mined from planets that they have an agreement with that are devoid of Van Allen belts and atmospheres. Those planets have metals that are bombarded by cosmic radiations that are unknown here on earth, but they take those minerals, and compounds and they mix those with a compound that’s some sort of genetics from the crew themselves, alright, and also, some type of a spore and then these ships are grown in deep space over a micro-wormhole, or at least in space, over a micro-wormhole. So actually, that gets them to where a lot of these ships themselves, the engines are micro-wormholes, Black holes. That’s why a lot of experiencers say when they touch the light coming off some of these crafts, they say it turns into Akashic records. That’s because it’s built over a wormhole itself and when you touch that in the spirit body it gives you access to space and time, in a way it would be like being pulled into a wormhole to a certain degree.” Barry Littleton may have provided us with a small clue. I don’t know. There is a good chance as well, we must keep in mind, that Barry was “leaking” this into the public mind for an occult reason, possibly linked to the Rosicrucians. A very important event occurred after I started writing this book. One of several, I might add, but a very significant one. Early on, around 2018 sometime, I was shown some artwork of Jerry Garcia’s by a close friend of his, a mutual friend of mine. One of the images struck me. I had already heard the story about Barry Littleton, and I had already read from Magonia, about the mushrooms which had grown up in crop circles, but now, here was an image that Jerry Garcia himself drew, earlier in his life, which showed what looked like a mushroom growing on the ground, then just slightly above it, that same mushroom was turning into a UFO. Jerry was a real warlock, alright. At this point, I realized that Jerry Garcia had long ago tapped into the same stream of consciousness I was tapping into, and it helped verify things enough to me, spiritually, that it helped inspire the design I asked Wrenna Monet to help create for the cover of this book. I think she did a wonderful job. (12) Porphyry The Cave of Nymphs, 5, in the Thirteenth Book of the Odyssey From the Greek of Porphyry Translated by Thomas Taylor 1917 |